Today : 2025³â 05¿ù 16ÀÏ (±Ý¿äÀÏ) ·Î±×ÀΠ     ȸ¿ø°¡ÀÔ
Ȩ                   2008 ±ººÎ´ë ÀüµµÁýȸ              ½ºÆ®·¹½º¸¦ ÁÙÀÌ´Â °£´ÜÇÑ ¹æ¾Èµé              ¼º°øÀÎÀÌ µÇ·Á¸é ¡®ÀÚ±â¹ß°ß¡¯ºÎÅÍ ÇÏ¶ó              ÁÖÀÏ ¼º¼öÀÇ ±âÁØÀº ¹«¾ùÀΰ¡              ´ëÇа¡ ÀÌ´Üµé              Çѱ¹±³È¸ ÀÌ´Üµé              ´ëÇа¡ ÀÌ´Ü ·Î°íµé              Ãß¼® ¸íÀý°ú Á¦»ç              È£»ê³ª Âù¾ç´ë ¾ßÀ¯È¸ »çÁøÀÔ´Ï´Ù              

  È¨     Ã»³âȸ     Çлýȸ     ¼±±³±¸Á¦     ÀüµµÈ¸     ÀÚ·á½Ç     ¿¹¹èÀÚ·á     ½Å¾Ó     »ýȰÁ¤º¸     ½Ã,Ä÷³  

Ȩ
  ±âµµÇÏ´Â »ç¶÷µé
  °¥µî ÇÏ´Â »ç¶÷µé
  ¿ô°í ½ÍÀº »ç¶÷µé
  ¹ÏÀ½ Å« »ç¶÷µé
  »ç¶û ÇÏ´Â »ç¶÷µé
  º¹À½ ÀüÇÏ´Â »ç¶÷µé
  ±â»µ ÇÏ´Â »ç¶÷µé
  Çູ ÇÑ »ç¶÷µé
  °Ç°­ÇÑ »ç¶÷µé
  ½¬°í ½ÍÀº »ç¶÷µé
  Àç¹Ì ÀÖ´Â °ÔÀÓ
  Àç¹ÌÀÖ´Â Ç÷¡½¬
  »õ °¡Á·µé ¸ð½À
  ±³È¸ ¿À½Ã´Â ±æ
  ¿¹¹è¿¡ ´ëÇÑ À̾߱â
  ¼ÒºñÀÚ »ó´ã±â°ü
  µ¶¼­Áöµµ »çÀÌÆ®
  ±³¿ì À¥»çÀÌÆ®
  ¹«·á·Î ¹®ÀÚ º¸³»±â
  ½Å¾Ó ¼­Àû ÀÚ·á



CCM ¹æ¼Ûµè±â

CCM Musicbox

counter

¢½ ¸»¾¸ & QT ¢½

»ýȰÁ¤º¸

»çÀü»çÀÌÆ®


¼º°æ°øºÎ

¼º°æ¿¬±¸

½ÅÇдë,±³È¸Ã£±â


Ȩ > Çлýȸ ¼Ò½Ä(Àüü¸®½ºÆ®)

ÁÁÀº ÇнÀ¹ý µÎ¹øÂ° - ¼öÇÐ Á¤º¹Çϱâ
2004-04-18 18:42:44

¨ç±âÃʺÎÅÍ ´ÙÁ®³ª°£´Ù. ¿ì¼± Á¤Àdzª Á¤¸®, °ø½Ä µîÀ» º¹½ÀÇÏ°í ½¬¿î °ÍºÎÅÍ Á¤º¹ÇØ ³ª°£´Ù. óÀ½¿¡´Â ÇØ´äÀ» Àý´ë·Î º¸Áö ¸»°í 5ºÐ Á¤µµ ¹®Á¦¿¡ ´ëÇØ »ý°¢ÇØ º» ÈÄ ´ä¾ÈÀ» ½á³ª°£´Ù. 5ºÐ ÀÌ»ó »ý°¢Çصµ ¸ð¸¦ ¶§´Â Èù


µ¶ÀÚ ÇѸ¶µð
PzZglYrc
Harris mauro2m@usa.net
PzZglYrc
Buster numbers0m@aol.com
PzZglYrc
Darrell dillon6w@lycos.com
kwAPDVKKoAaehPeclgn
Edmundo colinhnn@aol.com
kwAPDVKKoAaehPeclgn
Quinn kevinm40@usa.net
kwAPDVKKoAaehPeclgn
Ervin luciano3p@usa.net
kwAPDVKKoAaehPeclgn
Have you got a telephone directory? http://lamalinks.fun/ lama links 12 Years A Slave, adapted from the 1853 autobiography of Solomon Northup, elicits from McQueen a directing job that's compellingly humble but also majestic, because his radical showmanship is turned to such precise, human purposes. When he does audacious things with the camera, such as shooting the film's most singularly horrendous flogging in one unbroken shot, the content of the scene is so intense and paramount that the technique is only there to serve it. This scene, a bloody apex in the film's hard-driving commitment to make us feel, has an impact so pitiless it leaves you shaken, and derives its sternest force from the fact that Northup (a surely Oscar-bound Chiwetel Ejiofor) isn't even on the receiving end of the lash. He's the one being forced to wield it.
Megan claudio2c@lycos.com
kwAPDVKKoAaehPeclgn
Richard allenjsv@aol.com
angeVRTPheIllh
Jewel clark7l@yahoo.com
LDxyhOvZvAzNkiJrUfj
Christoper dantem64@gmail.com
[1] [2] [3] [4] [5] [6]



ÇÁ¸°Æ®Çϱ⠱â»ç¸ÞÀϺ¸³»±â


ÀÌÀüÀ¸·Î
Çлýȸ ¼Ò½Ä
 | Home | »çÀÌÆ®±¸Á¶ | ³»¿ë°Ë»ö | Àüü³»¿ëº¸±â | ³»¿ë¿Ã¸®±â |
  Contact Webmaster